• UNIT 4: GRAPHIC DESIGN

    Key Unit competence:

    To be able to create various designs with illustrations and different letters

    styles using digital devices

    4.1. The Elements of Graphic Design

             4.1. Aspects and elements of design.


    1. Lines
    Lines are used as roadmaps to direct the viewer’s eye movements. They can
    exist on their own or be employed to create texture and movement to connect
    information, to demarcate space or even to create a desired mood. Lines can be

    vertical, horizontal, diagonal, circular, patterned, free form or solid/bold.


    2. Shape
    Shapes can be geometric, abstract, stylized or as they occur in nature. They
    give volume to the forms in a design. You can make use of texture, lines, colors

    and alterations in value to discern shapes.

    3. Texture
    Texture is a powerful graphic design tool used to enhance design with details
    necessary for creating visual impact. It delivers a sense of feel, especially with
    two-dimensional images. In graphic design, texture can take the form of layers
    or gradation of text, lines or shapes.

    4. Space
    In design expression; white space is called negative space. It can be used to
    connect, separate or maximize the relationship between the elements making
    up the design. Negative space creates groupings, enhances expressions and
    emphasizes hierarchies. Space can also be used to give the illusion of depth or

    multi-dimension.

    5. Size
    The functionality of a graphic design layout hinges heavily on size. Use size to
    draw attention to the most important element in the design; typically, a larger
    size invites the most attention. Different sizes within the same graphic design
    or layout creates a hierarchy of dominance. Use variations in size to guide the

    viewer’s eye through the path you want it to take.

    6. Value
    This refers to how dark or light (in terms of color) something is. In a monochromatic
    image, value is used to define the shape and texture of a design element. Value
    comes in handy when you want to convey the illusion of movement or bring one

    element into sharp focus while another recedes into the background.

    7. Color
    People process color subconsciously. To establish mood, create appeal,
    generate interest and get a message across, color is the most potent tool in

    your graphic design arsenal.

    • Aspects/qualities of design

    Layout in graphic design deals with the arrangement of visual elements so as
    to achieve specific communication objectives.

    When designing, the graphic designers should rely on the required information
    to present the layout properly, such as rotating and resizing the images, which
    requires time and efforts. In order to be able to design quickly, it is necessary
    to plan the layout in advance to save time and create a consistent look for your
    design.

    Legibility: the artist should choose the kind of lettering that will be easy to read
    at a glance. It should not be too congested or condensed. The words should
    have proper spacing, a good background color and illustrations should be seen
    clearly.

    Placement: don’t overlap your images over your font, but make sure they are
    next to any wording that helps explain them. You shouldn’t be using these just
    to fill a giant empty space. All of your images should have purpose.

    Illustration: are those images or pictures that accompany the text to explain
    it, illustrations help the viewer to understand well and quickly the message. On
    a poster it is better when the illustration takes a big place at least 60% of the

    whole place.

    1.2. Different letter styles with digital tools and software.

    Generally letter styles are classified into two main font styles which are serif and
    san serif letter styles. Around 19th century the author categorized letters into the
    following types of letter styles.

    Sans serif, Serif, Cursive / Script, Vintage, Gothic – Black letter
    calligraphy, Graffiti, Creative lettering and

    Other sub-lettering styles

    • Sans serif letters
    Sans serif letters are letters that doesn’t have tailor hock at the bottom and
    at the top. When creating sans serif lettering you need to pay close attention
    to the letter forms where nature of line that are made letters are valued while
    tracing letters

    • Serifs
    The serifs – small decorative strokes added at the end of the letterforms

    The different thickness in the strokes – not every stroke has the same thickness.

    • Cursive

    Cursive lettering also known as script, cursive is about hand lettering

    Vintage
    It is letter style which is recognizable on a few different aspects Decorations

    (flourishes/embellishments)Serifs, Textures and Colors

    Gothic / black letter calligraphy
    Black letter calligraphy is one of many scripts created using a flat

    style with digital

    Graffiti

    CREATIVE LETTERING

    Creative lettering it the type of lettering that incorporates some different elements
    besides just the letters.

    This could be illustrations, textures, play on words, perspective etc.

    In our days all the letter styles can be manipulated with digital tools to produce
    digital artworks it only requires the font style installed in digital tool. Let’s take

    this example on how to design the word creativity in Micro soft world processer

    • Poster making using digital tools
    A poster is a large notice or picture that you stick on a wall or board, often
    in order to advertise something. Synonyms: notice, bill, announcement and
    advertisement

    Steps for designing a professional poster
    Determine you poster format
    Brainstorm the content
    Pick a suitable template
    Use colours to grab attention
    Choose graphics and typography
    Clean up any clutter

    Example of a poster with machine software design

    After select drawing tools you can start sketching your ideas by taking care of

    element and principles of design

    UNIT 3: MOTIFS, PATTERN AND DESIGN PROCESSUNIT 5: MODELLING SIMPLE CLAY FORMS AND FIGURES