• UNIT 8 : PERFORMING DRAMA

    Key Unit Competence: 

    To be able to plan and perform selected scenes from a set drama focusing on the use of dramatic techniques to convey message.

    Introductory Activity

    Observe the picture below and discuss what is taking place.

    Answer the questions below.

    1. What is your favourite play? Justify your answer. 

    2. Who is your favourite actor or actress? Why? Describe their character traits.

    Note: Drama is literature that is primarily written for theatrical performance. A dramatic text consists of two components: (1) Literature for reading (2) Performance. Drama is incomplete without the performative aspect. Every dramatic text contains of instructions, known as secondary text, for performance on stage. The following are the conventions of drama. 

    Cast of Characters:  listed in the beginning of the play, 

    before the action starts Act:  a major division of a play Scenes:  

    a major division of an act Stage Directions:  

    a dramatist’s instructions for performing a play (secondary text). 

    This unit will focus on performing drama.

    8.1: Review of Key aspects of drama: Plot, Setting, Characters, Themes

    Activity 8.1

    Read the play Julius Caesar by William Shakespeare and answer the following questions.

    Questions 

    1. Identify the setting of the play. 

    2. Describe the main characters of the play 

    3. Analyse the main theme(s) highlight in the play. 

    4. Write a plot summary of the play Julius Caesar.

    Note: Every drama play must have the following key aspects; setting, characters, a plot and a theme(s): 

    Setting: refers to a literary work is the time and place of action. Time can include not only the historical period-past, present, or future- but also the specific year, season, or time of day. Place may involve not only the geographical place- a region, country, state, or town- but also the social economical or cultural environment. 

    A plot has been delineated like a causal sequence of events. The “why” for the things that happen in the story. It draws the reader into the character’s lives and helps the reader understand the choices that the characters make. Its structure is the way in which the story elements are arranged.

    Characterization: A character/ actor known also as a fictional character is a person, an animal or other being in a play, television series, film, or video game. 

    The character may be entirely fictional or based on a real-life person, in which case the distinction of a “fictional” versus “real” character may be made. The main character, or the protagonist, is the most important character in a story. This character often changes in some important ways as a result of the play’s events. The antagonist is the character who opposes the main character.

    Theme and Message: A theme is the central idea, message, or insight into life revealed by a literary work. It is the main subject that is being discussed or described in a literary work.  A theme is not intended to teach or preach. In fact, it is not presented directly at all. You extract it from the characters, actions, and setting that make up the play. In other words, you must figure out the theme yourself.

    Message or moral of the play has been defined as what a reader or audience member learns from a play. The moral can usually be expressed in a sentence or a proverb that teaches a lesson.  In this sense, it can be also expressed as an important idea that is expressed in the play.

    Application activity 8.1 

    1. Re-read the play “Julius Caesar”, work with a partner and act out your favourite scene.

    8.2.Review of Dramatic Techniques: Dialogue, Monologue, Soliloquy, entrance, exit, stage directions, asides, props and costumes.

    Activity 8.2 

    Re-read the play Julius Caesar, identify the following dramatic techniques; 

    a. Dialogue 

    b. Monologue 

    c. Soliloquy 

    d. Entrance 

    e. Exit 

    f. Stage directions 

    g. Props 

    h. Costumes

    Notes: In drama performance, an actor has to pay attention to the dramatic techniques used by the playwright or the script writer. Different playwrights/script writers use different dramatic techniques for different reasons in putting across their message. Following are some of the dramatic techniques; 

    Dialogue refers to a conversation between two or more characters in a literary work. Characters may reveal their traits and advance the action of a play. In fiction or nonfiction; quotation marks indicate a speaker’s exact words, and a new paragraph usually indicates a change of a speaker. Quotation marks are not used in a script, the printed copy of a play. Instead, the dialogue follows the name of the speaker.

    Monologue is from the Greek monos (“single”) and legein (“to speak”) is a long, uninterrupted speech delivered by one character to other characters who are onstage but remain silent. It can also be explained as a long speech given by a character in a story, movie, play, or by a performer such as a comedian, and that speech prevents anyone else from talking. A monologue in a play is a speech by one character. that, unlike a soliloquy, is addressed to another character or characters

    Soliloquy: comes from the Latin solus (“alone”) and loqui (“to speak”) is a speech in which a character alone on a stage reveals private thoughts and feelings that the audience is allowed to overhear. It is in few words, a long speech expressing the thoughts of a character alone on the stage.

    Entrance is explained as the process by which the actors appear on the stage. It is the first appearance of an actor in a scene. Also, it is the way the actors introduce to the audience on the stage when they are going to perform a play. 

    Exit is explained as the process by which the actors disappear on the stage after performing a play. This happens at the end of a play.

    Stage directions tell how the work is to be performed or staged. Providing details about sets, lighting, sounds, effects, props, costumes, and acting, stage directions are usually set in italics type and set off in brackets in order to distinguish them from dialogue. Some playwrights use stage directions to provide additional direction about where on- or off stage a speech may be delivered. These include O.S. for offstage; D.S.  for downstage; or close to the audience; and U.S FOR upstage, or far from the audience. The purpose of stage direction is to understand the directional terms for staging.

    Aside is a brief remark in which a character expresses private thoughts to the audience rather than to other characters. It is a short speech delivered by a character in a play in order to express his or her true thoughts and feelings. Traditionally, the aside is directed to the audience and is presumed to be inaudible to the other actors.

    Props, formally known as (theatrical) property, are an object used on stage or on screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. Technically, a prop is any object that gives the scenery, actors, or performance space specific period, place, or character. 

    The term has readily transferred to  television motion picture and  video game production, where they are commonly referred to by the phrase movie prop, film prop or simply prop.

    Costumes is one of the dramatic techniques, is explained as the clothes that are worn by actors who are performing a play. Actors must try to look like a different person or thing. This clothing includes the prevailing fashion in coiffure, jewellery, and apparel of a period, country or class… so, in costumes, actors must create the appearance characteristic of particular period, person, place or thing.

    Application Activity 8.2

    Re-read the play Julius Caesar, work with your partner to choose one scene with at least two dramatic techniques mentioned above. Perform that scene with a focus on those dramatic techniques.

    8.3. Planning and Performing Drama

    Activity 8.3

    With the help of your teacher, select the play, the acts and scenes you can perform. Take roles and set the time for rehearsals as a class

    Notes: Planning and performing drama: Planning for performance of drama/ a play is a project.Below are some tips on how you can plan and perform the play. 

    Set up a project schedule: A project schedule is the tool that communicates what work needs to be performed. It starts with the theme that goes with organization of materials (props) that will be used to perform it. This includes; 

    Selecting the play: As a class, with the help of your teacher, choose a play from the set plays that you will perform. Your literature teacher will be the director of your performance.

    Identifying the characters/taking roles: Each student can volunteer to take a role they feel they can perform. Each actor should study the characters they have chosen and understand them. Every student in your class should take a role. If the play has fewer characters than the number of students in your class, some students may take the same roles but act in different scenes. Other students may feature in the crew (the production team/behind the scenes team). 

    Reading the script/the play: All actors/characters should take their parts, read, reread and memorize their parts of the play. 

    Setting up the rehearsal schedule: With the help of your teacher,draw a rehearsal schedule(Timetable) that favours the whole class whereby you will meet as the cast and crew to rehearse for the performance. The schedule will depend on the number of scenes for the play and how much practice is needed by the actors. 

    Identifying the costumes: Each actor/character identifies and makes a list of the costumes they will need for each scene. 

    Setting the stage:  When all the preparation is complete, establish a spacious place where you will perform the play to your audience. Set the stage and equip it with the necessary props including lighting..

    Application activity 8.3

    Stage the play for the whole school/audience to watch.

    End Unit Assessment

    Answer the following questions.

    1. Analyse the play you performed in terms of the following dramatic aspects:

    a. Plot 

    b. Setting 

    c. Characters 

    d. Theme (s)

    2. From your experience of planning and performing a play, discuss the dramatic techniques used in acted scenes. 

    3. In brief, write short summary to evaluate your group’s performance and reflect of their utilization of dramatic techniques.

    4. If you were to plan and perform another play, write down what you would improve and how you would improve the planning and performance.

    REFERENCES


    Books

    Becket, S. (1954). Waiting for Godot. paris: New york grove press.

    Brecht, B. (1981). The Caucasian Chalk Circle. Caucasian: Heinemann.

    Charles Ingabire, William Greenwell, Andre Kameya, David Clarke. (2016). Introduction to Literature in English for Rwandan Schools. New Delhi: Laxmi Publication Pvt Ltd.

    Ibsen, H. (1982). An Enemy of the People. Norwegian: East African Educationl Publisher.

    J.Annas, P. (1994). Literature and Society, third Edition. New Jersey: Prentice Hall.

    Keating, H. L. (1991). Lives Through Literature, A thematic nthology, third Editon. New Jersey: Pearson Education.

    Littell, M. D. (1997). BriISH Literature. New york: Houghton Mifflin Company.

    Macharia Mwangi, Mark Chatembe, Wweru Mwangi. (2016). Literature in English for Rwandan Schools. Nairobi: East African Eductional Publishers Ltd.

    Macharia Mwangi, Mark Chetambe, Waweru Mwangi, Sylvia Kaparo. (2016). Literature in English for Rwandan schools( Teacher’s Guide). Nairobi: East African Educational Publishers.

    Miller, A. (1956). The Crucible. England: Heinemann.

    Mwangi, M. (2016). Literture in English. Kijabe Street, Nairobi: East African Educational Publishers Ltd.

    Orwell, G. (1945). Animal Farm. London: Penguin Books Ltd.

    Pamella J. Annas& robert c. Rosen. (2000). Literature and society Introduction to Fiction, Poetry,Drama,Nonfiction. United State of America: Printice Hall Upper Saddle River,New Jersey.

    REB. (2015). Resource Parcks for Stakeholder Orientation on Competence Based Curriculum. Kigali: REB.

    Rubadiri, D. (2000). Growing Up With Poetry an anthology for Secondary School. ENGLAND: Cambridge University Press.

    Shakespeare, W. (2012). Julius Caesar. Delhi: Laxmi Publication.

    Stephen Sebuya&Celestin Chebes. (2013). English in Use student’s book S2. Malaysia: Longman.

    The Pearl by John Steinbeck

    V.Roberts, E. (1964). Writing About Literature,Tenth Edition. New Jersey: Pearson Education.

    When The Sun Goes Down and other stories From Africa and Beyond. (2010). Kampala: Longhorn Publishers.

    X.Steever, F. (1968). Literature In English for the French Speaking Canadian 1. Toronto: Canadian Texas DENT’S.

    2 . Line resources

    https://en.wikipedia.org/wiki/Western_literature

    https://web.cn.edu/kwheeler/documents/Periods_Lit_History.pdf

    https://en.wikipedia.org/wiki/Early_modern_Europe

    https://en.wikipedia.org/wiki/Romanticism

    http://www.gutenberg.org/browse/authors/b

    http://examples.yourdictionary.com/elegy-poem-examples.html

    http://examples.yourdictionary.com/what-are-different-types-of-poems. htmlhttps://www.familyfriendpoems.com/poems/other/

    http://www.poemofquotes.com/articles/poetry_forms.php

    https://literarydevices.net/atmosphere/

    http://litlearn.teachable.com/courses/ib-english-literature-paper-1/ lectures/1490752

    http://staffweb.plattscsd.org/rlacroix/other_pages/Characteristicsofepicpoetry. html

    https://www.articlesjar.com/elegy/

    https://www.enotes.com/topics/widows-lament-springtime/in-depth

    https://www.enotes.com/topics/road-not-taken

    https://www.poetryfoundation.org/poems/44272/the-road-not...

    http://mubahamad.blogspot.com/2016/05/growing-up-with-poetry.html

    www. poetry 4 kids.com/lessons/how to write a limerick.

    www.types.poetry.org.uk/example of limerick.htm

    http://www.webexhibits.org/poetry/explore famous limerick example.html

    http://pun.me/pages/funny-limerick.php

    http://girl wither heading a book.co.uk/2015/03/top ten twesday.toptenunseen. html

    UNIT 7 : RADIO AND TELEVISION DRAMAS