• UNIT 5 : FREE VERSE

    Key Unit Competence: 

    To be able to identify and analyse free verse in poetry. 

    Introductory 

    activity Read the poem below and answer the questions that follow.  


    Bus stop

    I saw a nice boy 

    with long sideburns 

    and short hair and blue suit 

    he stood in front of me in the bus queue 


    when the bus came 

    he stood back 

    to let me climb into the bus in front of him

    i turned to thank him 

    he gave me a radiant smile 

    it warmed my heart and made my day beautiful 

    and then (Wrapped in a haze of rosy dreams) 

    i tripped and fell into the bus flat on my stupid face

    Michelle Friend 

    Source:  English in Use –Student’s book 2/p: 42

    Questions

    1. What is the main idea in the poem?   

    2. Discuss the structure of the poem. 

    3. Identify some poetic devices the poet has used to convey the message. 

    Note: Free verse is poetry that does not have regular patterns of rhyme and meter. The lines in free verse often flow more naturally than do rhymed, metrical lines and thus achieve a rhythm more like that of everyday human speech.

    The following are free verse poetry features:

    • Free verse poems have no regular meter or rhythm. 

    • They do not follow a proper rhyme scheme; these poems do not have any set rules.

    • This type of poem is based on normal pauses and natural rhythmical, as compared to the artificial constraints of traditional or normal poetry.  That is why it is called “Free verse”.

    Free verse is commonly used in contemporary poetry. Some poets have taken this technique as a freedom from rhythm and rhyme, because it gives a greater freedom for choosing words, and conveying their meanings to the listener or the readers through intonation instead of meter/rhythm. Since it depends upon patterned elements like sounds, phrases, sentences, and words, it is free of artificiality of a typical poetic expression.

    5.1. Poetic Devices 

    5.1.1. Poetic line

    Activity .5.1.1 

    Read the poem below and answer questions about it.

    Mother to Son 

    Well, son, I’ll tell you: 

    Life for me ain’t been no crystal stair. 

    It’s had tacks in it, And splinters, 

    And boards torn up, And places 

    with no carpet on the floor— Bare. 

    But all the time I’se been a-climbin’ on, 

    And reachin’ landin’s,

    And turnin’ corners, 

    And sometimes goin’ in the dark 

    Where there ain’t been no light. 

    So boy, don’t you turn back. 

    Don’t you set down on the steps ’

    Cause you finds it’s kinder hard. 

    Don’t you fall now— For I’se still goin’, 

    honey, I’se still climbin’, 

    And life for me ain’t been no crystal stair.  

                                        Langston Hughes

    Questions

    1. What is mother to son all about? 

    2. Comment on poetic lines in the poem. 

    3. Does this poem have rhyme scheme? Justify your answer. 

    4. What literary devices are used in mother to son?

    Note: A poetic line is a subdivision of a poem, specifically a group of words arranged into a row that ends for a reason other than the right-hand margin. This reason could be that the lines are arranged to have a certain number of syllables, a certain number of stresses, or of metrical feet; it could be that they are arranged so that they rhyme, whether theyare  of equal length or not. But it is important to remember that the poet has chosen to make the line a certain length, or to make the line-break at a certain point. This line-break is where a reader has to turn back to the start of the next line. Lines are the text that takes up one line, or row, in a poem. Poems can have any number of lines.Some poets use short lines, some use long, some set all the lines on the left side of the page, and some indent lines differently all over the page. The relationship between the poetic line (including its length and positioning and how it fits into other lines) and the content of a poem is a major aspect of poetry. Free verse poem lines do not follow the rules, and have no rhyme or rhythm; but they are still an artistic expression. They are sometimes thought to be a modern form of poetry.

    Application activity 5.1.1 

    Read the poem and answer questions that follow.

    Africa

    Africa my Africa

    Africa of proud warriors in the ancestral savannahs 

    Africa of whom my grandmother sings 

    On the banks of the distant river 

    I have never known you 

    But your blood flows in my veins 

    Your beautiful black blood that irrigates the fields 

    The blood of your sweat 

    The sweat of your work 

    The work of your slavery 

    The slavery of your children 

    Africa tell me Africa Is this you this back that is bent 

    This back that breaks under the weight of humiliation 

    This back trembling with red scars 

    And saying yes to the whip under the midday sun 

    But a grave voice answers me Impetuous son that tree young and strong 

    That tree there In splendid loneliness amidst white and faded flowers 

    That is Africa your Africa That grows again patiently obstinately 

    And its fruit gradually acquires The bitter taste of liberty.

    David Diop, 

    Source:  Growing up with poetry an anthology for secondary schools  p.17-18


    Questions

    1. What is the poem about? 

    2. According to the speaker, how have the past effects of colonialism shaped the Africa’s present? 

    3. Compare and contrast the lines of this poem and those of Mother to son. 

    4. Comment on poetic devices used in the poem.  

    5.1. 2. Punctuation

    Activity 5.1.2 

    Read the poem below and answer questions.

    Epilogue 

    I have crossed an ocean 

    I have lost my tongue 

    From the root of the old 

    One 

    A new one has sprung

    Grace Nichols (Guyana)

    Source: Growing up with poetry, an anthology for Secondary schools, page 50.

    Questions

    1. What is the poem about? 

    2. Comment on the use of punctuation in the poem. 

    3. How do we call such a poem?

    Note: Free verse is just as the title says. It’s FREE. It may or may not have punctuation. It depends on the style of writing. Some poets that argue that poetry has to abide by normal grammatical rules, but free verse can be portrayed as the poet intends. Free verse has no set pattern and no rules that bind it as other forms of poetry do. 

    It depends on what feels more comfortable to the poet whether or not punctuation is used.  Some free verse poems are just meant to flow freely, but if you want to add some spice you can add punctuation.


    Application activity 5.1.2 

    Read the poem below and answer the questions that follow.

    My island is in need of a poem   

    My island is in need of a poem 

    Yes! Another poem for a poet to recite 

    But now in everyone’s sight … 

    While we’re peacefully seated at home

    My island is in need of a poem 

    Not to make children scatter again … 

    But to let them feel at home 

    And recognize our island’s vision 

    To get ready for their own mission 

    My island is in need of a poem 

    A long narrative but different poem 

    Telling a story on our peace tunnel   

    Evoking the hard-works of their hands

    A good way to get it strongly secured 

    My island is in need of a poem 

    A poem to relocate our broken hope

    Out of a gloomy valley, where rested 

    That wounding streaming tears

    This takes roots from our downfalls. 

                    Jean de Dieu BAVUGEMPORE

    Questions

    1. What does the speaker mean by “another poem”? 

    2. Compare and contrast this poem with Grace Nichols’Epilogue. 

    3. As Rwandan child, what do you learn from this poem?

    5.3. Oxymoron

    Activity 5.3 

    Read the poem and answer the questions that follow.

    The end begins: Words

    Words WordsWords words

     without wind words without end 

    without care what action 

    we stand and watch on fireless fireplaces.

    heads of clans stand 

    and stare they come and go 

    some die by beheading. 

    clans have no heads they 

    wait in pain for peace 

    but peace for scattered 

    skeletons reeks of bloody emptiness.

    down the countryside 

    I know elephant fight daily 

    but the common grasses 

    I know under their feet bleeds, 

    starves and dies under the 

    strain of gunpowder excreted.

    we are maimed daily 

    and the mime continues 

    this time again without words. 

                       Kalungi Kabuye.

    Questions

    1. What is the subject matter of the poem? 

    2. What sort of atmosphere does the poem have? How is this atmosphere created? 

    3. Explain the poetic device that appears in stanza 1, line 6. 

    4. What effect does the repetition of “Words, words, words” have upon the poem?

    Note: Oxymoron is a poetic device in which two opposite ideas are joined to create an effect. The common oxymoron phrase is a combination of an adjective proceeded by a noun with contrasting meanings, such as “cruel kindness,” or “living dead”. However, the contrasting words/phrases are not always glued together. Authors/ Poets use oxymoron in literature for many reasons. At times an oxymoron may call attention to the dual nature of an object or concept, etc. For example, something can be both sweet and sorrowful at the same time. For instance, Shakespeare wrote that “parting is such sweet sorrow”. This makes the reader think more deeply about the multiple meanings of the experience. Oxymoron may also just present a concept in a new light to emphasize the author’s creativity.

    Application Action 5.1.3 

    Read the poem below and answer the questions.

     Life is Tremulous 

    Life is tremulous like a water-drop on a mophane tree 

    My body is wrinkled, my hair grey 

    The talk is Bushmen everywhere

    I am called a ‘no body’ 

    A race of ragged filthy people 

    Who cannot clean their floors 

    Whose blanket in the firewood 

    Who spit and sneeze freely everywhere 

    Whose bodies smell of root-ointment 

    Or like a cowhide soaked in the river water 

    My countrymen call me names 

    I am torn between life and death 

    Propped between freedom and slavery 

    My tears glide in pairs down my cheeks 

    My hands shake because of old age 

    I am no more than a refugee A loafer they say 

    Yet others loaf too whilst other men work It is true 

    I do not worry for lunch As birds do not worry theirs too. 

    To me the delights of knowledge And the pomp of power are anathema 

    Life is tremulous like drops Of water on a mophane leaf 

    My countrymen eat, drink and laugh

    I and my fellow men and women sleep under trees 

    In caves or open ground We starve, we can no longer hunt freely 

    Life is a scourge, a curse It is tremulous like a drop of water on a mophane leaf.

    Albert Malikongwa

    Source: Growing up with poetry.An anthology for secondary schools, page 51-52


    Questions

    1. What is the poem about? 

    2. Explain the fourth line of the poem “…I am called a ‘no body…’” and   how has the poet used it to convey his message? 

    3. Describe the poetic devices used in this poem 

    4. What feelings does the speaker’s tone evoke?

    5.4. Paradox

    Activity 5.1.4 

    Read the poem below and answer the questions.

    And when you balance on your head

    And when you balance on your head 

    A beautiful water pot Or a new basket 

    Or a long-necked jar Full of Honey, 

    Your long neck Resembles the alwiri spear


    And as you walk along the pathway 

    On both sides


    The abiya grasses are flowering 

    And the pollok blossoms 

    And the wild white lilies 

    Are shouting silently 

    To the bees and butterflies!

    And as the fragrance 

    Of the ripe wild berries 

    Hooks the insects and little birds, 

    As the fishermen hook the fish 

    And pull them up mercilessly, 

    The young men come 

    From the surrounding villages, 

    And from across many streams, 

    They come from beyond the hills 

    And the wide plains. 

    And bite off their ears Like jackals.

    And when you go 

    To the well Or into the freshly burnt woodlands 

    To collect the red oceyu 

    Or to cut oddugushrubs , 

    You find them, 

    Lurking on the shades 

    Like the leopardess with cubs. 

    Okotp’Bitek 

    Source: Growing up with poetry, an anthology for secondary schools, edited by David Rubadiri, page  6.


    Questions

    1. What is the poem about? 

    2. Who is the speaker in the poem? 

    3. Identify lines in the poem which contains paradox. 

    4. Describe how the poet has portrayed the African cultural values in the poem. 

    5. The poet is comparing a woman with different things. List those things. 

    6. Why do you think the poet has chosen these images?

    Note: Paradox is a wise saying that on the surface appears contradictory, but when examined in deep, reveals a fundamental truth. For example we say “the son is the father of the man” on the surface it is quite illogical but when analysed further it is true because a son today, is a father tomorrow. Poets use paradox to give pleasure to the reader. Readers enjoy more when they extract the hidden meanings out of the writing rather than something presented to them in an uncomplicated manner. In some poems, paradox is meant to communicate a tone of irony to its readers as well as lead their thoughts to the immediate subject. Paradox in most poems normally strives to create feelings of intrigue and interest in readers’ minds, to make them think deeper and harder to enjoy the real message of the poem.


    Application activity 5.4 

    Read the poem below and answer questions.

    What is he? 

    What is he? A man, of course. 

    Yes, but what does he do? 

    he lives and is man. 

    Oh quite! But he must work. 

    He must have a job of some sort. why? 

    Because obviously he is not one of the leisured classes. 

    I don’t know. 

    He has lot of leisure.  

    And he makes quite Beautiful chairs. 

    There they are then! 

    He’s a cabinet maker. no no! 

    Anyhow a carpenter and joiner. 

    Not at all But you said so. what did I say? 

    That he made chairs and was a joiner and carpenter. 

    I said he made chairs, but I did not say he was a carpenter. 

    All right then, he’s just an amateur.

    perhaps! Would you say a thrush was a professional flautist, 

    Or just an amateur? 

    I’d say he was just bird. -and I say he is just man. 

    All right! You always did quibble.

    D.H. Lawrence

    Source: Growing up with Poetry, an anthology of secondary schools.

    Questions

    1. What does the title of the poem, What is he mean? 

    2. Look at the poem and discuss what you think makes it a poem and not prose. 

    3. Does the poem have a rhyme scheme?  Justify your answer. 

    4. This poem sounds like a conversation but it is not. Why do you think it is not? 

    5. Compare and contrast the use of poetic devices in both What is he? and  ‘And when you balance on your head’. 

    Activity 1

    1. State at least 3 important features of free verse poems 

    2. Compare and contrast free verse poems with other types of poems. 

    3. Discuss the contribution of form to the message in free verse poems. 


    Activity 2 

    Read the poem below and answer questions about it.


    The graceful giraffe cannot become a monkey

    My husband tells me 

    I have no ideas 

    Of modern beauty. 

    He says

    I have stuck 

    To old-fashioned hair styles.

    He says 

    I am stupid and very backward, 

    That my hair style 

    Makes him sick 

    Because I am dirty.

     

    Listen, 

    My father comes from 

    Payira, 

    My mother is a woman of Koc! 

    I am a true Acoli 

    I am not a half-caste 

    I am not a slave girl; 

    My father was not brought home 

    By the spear 

    My mother was not exchanged 

    For a basket of millet.

    Ask me what beauty is 

    To the Acoli 

    And I will tell you; 

    I will show it to you 

    If you give me a chance!

    You once saw me, 

    You saw my hair style 

    And you admired it, 

    And the boys loved it 

    At the arena 

    Boys surrounded me 

    And fought for me.

    My mother taught me 

    Acoli hair fashions; 

    Which fits the kind 

    Of hair of the Acoli, 

    And the occasion.

    Listen, 

    Ostrich plumes differ 

    From chicken feathers, 

    A monkey’s tail Is different from that of a giraffe, 

    The crocodile’s skin Is not like the guinea fowl’s, 

    And the hippo is naked, and hairless.

    The hair of the 

    Acoli Is different from that of the 

    Arabs; The Indians’ hair 

    Resembles the tail of a horse; 

    It is like sisal strings 

    And needs to be cut With scissors. 

    It is black, 

    And is different from that of a white woman.

    A white woman’s hair 

    Is soft like silk; It is light 

    And brownish like 

    That of a brown monkey, 

    And is very different from mine. 

    A black woman’s hair Is thick and curly; 

    It is true Ring-worm sometimes eat up 

    A little girl’s hair And this is terrible;

    But when hot porridge 

    Is put on the head 

    And the dance is held 

    Under the sausage-fruit tree 

    And the youths have sung

    You, Ring worm 

    Who is eating 

    Duka’s hair 

    Here is your porridge,

    Then the girl’s hair 

    Begins to grow again 

    And the girl is pleased.

    Okot p’ Bitek 

    Source: Growing up with poetry p.15


    Questions 

    1. What does the title of the poem The graceful giraffe cannot become a monkey mean? 

    2. Comment on the figures of speech used in the poem. 

    3. Who is the persona in this poem? How do you know? 

    4. How does Lawino see her identity? 

    5. Who is surer of his/her identity? Lawino or her husband? Why do you think so? 

    6. Who is Lawino speaking to in the poem? 

    7. How does Lawino react to the complaint of her husband? 

    8. Basing on subject matter, justify Lawino’s attitudes towards African identity.

    Activity 3

    1. Basing on the features of free verse poems, compose a two stanza poem on a topic of your choice.

    UNIT 4 : LIMERICKS - RHYME AND RHYTHMUNIT 6 : THEATRE OF THE ABSURD