• Unit 9: Key aspects of drama

    Unit 9: Key aspects of drama

    Activity 1

    In your small groups:

    a. Discuss what makes a play.

    b. Discuss what makes a play interesting.

    This Unit seeks to explore the different aspects of drama which include: plot, setting, characters, themes, messages, dramatic techniques (dialogue, monologue, soliloquy, body language, flashbacks, asides, entrance/exit, props, costumes) and plot development tableaux.

    Activity 2

    The following excerpt is from Voice of the People by Okiya Omtatah Okoiti. Read it individually in your spare time and retell the story in your own words to your group.

     

     

     

     

     

      

      

      

      

      

      

      

      

      

       Plot

    Plot refers to the arrangement and unfolding of events from the beginning to the end of a play. In arranging events and incidences in a play, the playwright strives to show their impact on the various characters. As you study a play, you will notice that each event occurs for a reason. The action flows logically and we are able to explain why various characters react the way they do.

          In patterning the events, the playwright utilises various techniques to create a sense of suspense. Some events shatter our expectations and maintain our interest in the play. As readers, we keep asking the question: What will happen next?

          In your study of plays, it is therefore important for you to ask yourself the following questions as you read on: What makes the various characters react the way they do? What makes them to behave the way they do? If you respond effectively to these questions then you will have mastered the play’s plot.

     Types of plot

    There are two types of plots: simple plot and complex plot.

          A simple plot is linear and focuses on one conflict and traces its development and resolution. This plot has few characters and almost all events directly impact on the major characters. A simple plot is most common in short stories.

          A complex plot has a several conflicts which are logically developed leading to a resolution of all of them. A complex plot has many characters and it seems like a series of short stories interwoven together.

    Practice Exercise 1

    a. In groups, write the plot of the play excerpt that you read at the beginning of this Unit.

    b. Appoint a group secretary to read the plot you come up with to the class.

    Setting

    Activity 3

    a. Tell your desk mate or class mate, where you were yesterday after school.

    b. Now tell her or him where you are now and what time it is.

    Activity 4

    The excerpt below is from a play entitled Aminata by Francis Imbuga. Read it in pairs. Pay close attention to the words at the beginning of the scene. Thereafter, tell your desk mate where this event is taking place.

    Setting refers to the place where the story is taking place. While it is true that the world the playwright creates is imaginary, it shares a close resemblance with our own real world. It is important to identify the setting of the story if you are to appreciate the themes. In order to understand the setting, ask yourself this question: Could this story be happening anywhere or could it have happened somewhere? If you understand the setting, it will be possible for you to understand the characters and get to know why they act the way they do.

    Setting can be geographical, historical and social.

          Geographical setting deals with where the play is set – the place. It may be a real place or an imaginary one. For instance, the excerpt you just read is set in Dr. Mulemi’s house. We know this from the stage directions at the beginning of the scene.

          If the play is set in an imaginary place, the playwright will give some cues on where this imaginary place could be; for instance, an independent African state.

          Historical setting refers to the time in which the play is set. A playwright may give the actual date and time but more often, playwrights give a period in time; for example, pre-colonial, colonial or post-colonial Africa.

          Social setting refers to the type of society in which the play is set. It could be in a village or city, a market or a church. For instance, Aminata is set in a village that is undergoing a lot of influence from the neighbouring city and feeling the effects of liberalisation – where women see themselves as equal to men.

         Setting helps to give a play and its characters authenticity and helps in building a foundation for the development of themes and dramatic techniques.

    Practice Exercise 2

    In groups read and discuss the setting of the excerpt below.

    FOURTH SEQUENCE


    Activity 5

    Study the excerpt you just read in the Practice Exercise. Read out loud the names written in the margin.

    Characters

    Do you remember what we said at the beginning of this Unit? We said, most times, the words of the dialogue in a play are written on the right side, and the names of the characters are written in the margin.

          A character refers to the fictional human being, animal or thing in a story (in this case, a play). Some are dominant from the beginning to the end of the play while others make few appearances in selected scenes or acts.

          In order to identify a character we look at:

             −    The physical description of the character in terms of size, colour and general appearance.

             −    What the character says about himself or herself and about other issues affecting society.

             −    The actions of the character in his or her interaction with other characters in the play.

             −    What other characters say about the character.

             −    The character’s thoughts, desires, dreams and wishes.

    Characters are usually described by single adjectives such as loving, cruel, intelligent, naïve, hardworking, lazy and humorous. Consequently, one does not say character A cares about people, but rather, character A is caring. One should also avoid ambiguous words when describing a character. For example, rather than say character B is not disciplined, one should be more specific and say he she is rude or dishonest.

         Characters in a play are a reflection of human beings. Therefore, characters can have both positive and negative traits. A character, for example, can be very generous but also extremely temperamental.

    Activity 6

    Read the following excerpt, from Voice of the People by Okoiti Omtatah and mention the characters involved. Thereafter, copy the table below in your exercise book and fill it in. Follow the given example.

    Activity 7

    In your small groups, discuss the idea the playwright is putting across in Voice of the People. Your discussion should be based on the excerpts you have read.

    Theme

    Theme refers to the main idea portrayed in a play. What does a playwright hope to achieve when writing a play? Some playwrights write with the intention of showing the power of change, the dangers of love, the role of good governance and leadership, the negative effects of retrogressive cultures and practices, the immortality of death, fate and destiny, among others.

         Some plays have one major theme and several minor themes, while other plays could have two or more major themes and a number of minor themes.

         The most common themes in plays include change, tradition, religion, education, love, death, family relations, women empowerment, etc.

          Francis Imbuga, in his play Aminata, explores a number of themes, such as; tradition and culture, change and women empowerment.

    Activity 8

    Read the excerpt below and in your small groups discuss the main theme.

       When discussing a theme, you should give enough illustrations from the play.

    You must remember to start with a topic sentence.

       Here is an example of how to discuss a theme from Aminata.

    Theme of change

    The theme in this excerpt is change. There is a significant change in the position and role of a woman in society. Traditionally, women were required to take care of their homes and families with no other meaningful engagements. However, from the above excerpt, we can see that Ngoya has bequeathed his land to Aminata. At the same time, Jumba is willing to relinquish his power as leader of Membe to Rosina. Rosina is actually shocked and she asks, “you mean, you want me, Rosina Jumba, to become Membe’s headman?” to which Jumba replies, “That is so.” This had never happened before as Jumba observes: “His action was a deliberate one because it has never happened in any of our neighbouring clans.”

         Therefore, the playwright seems to be advocating women’s empowerment through change of perception especially by men. This (what the playwright is telling us) is what we call the message.

         A good essay on a theme should have a proper introduction and conclusion. Every paragraph should handle a different illustration and should begin with a topic sentence which must be very clear on what the paragraph aims to discuss. Avoid being repetitive in illustrations and examples.

    Practice Exercise 3

    Individually, read the excerpt below and discuss the main theme with members of your group.


    Dialogue, which is the conversation between characters, is what sets a play apart from the other types of literature. However, there are other ways by which a playwright enriches his or her play. These techniques make the play more interesting to read and perform. These dramatic techniques include:

    Stage props: These include the set and items on stage. The set is made up of the structures placed on a stage and backdrops. The items or props are those things that characters use on stage. The set creates the particular atmosphere the playwright has in mind. The props are not idle items but are used by the characters to complement their actions and speech.

    Stage directions: These are instructions given in italics at the beginning of every act and throughout the play in brackets. For example: (who doesn’t relish this line) Stage directions serve specific functions. For instance, they provide background information on the setting and the set. Stage directions also say when an actor makes an entrance (comes on stage) and when he or she makes an exit (leaves the stage). They also describe the actor’s body language (communicating nonverbally through conscious and non-conscious body movements; the way in which a character’s body communicates his or her attitudes. An audience or viewer can watch and see this.)

    Irony: This is when something is said or done contrary to expectations. In a play, irony is broadly viewed in two ways: Dramatic irony: The reader or listener is in the privileged position of being able to see more than the character himself or herself. There is, therefore, a gap between the character’s ideas/aspirations and the reality. The meanings as conveyed by the character’s conversations are different to the ones that appear on the surface. Verbal irony: The meanings of a character’s utterances are indirectly implied and may be the exact opposite of what is meant. The playwright may use puns or humour to bring out irony.

    Sarcasm:  This is the use of ridicule to criticise the character or quality of something or a situation. - For example when Askari in Francis Imbuga’s Betrayal in the City pretends to be intelligent, Mosese tells him: Sometimes I wonder why a man of your understanding should accept this Job. I honestly think you are in the wrong place.

    Satire: This is the use of sarcasm with humour.

    For example: You are so intelligent you never have new ideas.

    Imagery: This is the use of decorative language to bring about a certain picture. It includes:

    Simile: This is the comparison of two objects with the use of ‘as … as’.

    For  example: He is as fast as a cheetah

    Personification: This is the giving of human qualities to innate characters.

    For example: The sun smiled at us.

    Metaphor: It is the direct comparison of items.

    For example: She is a snake. Foreshadow: This is the prediction of future events in a text.

    Flashback: This is the technique of using recall to give an account of past events or recount past happenings.

    Allusion: Referral to various contexts considered to be common or known. We have various types, for example, biblical allusion, historical allusion, and geographical allusion. For example, a playwright can refer to be Bible.

    Plot development

    Study the following diagram.

    Falling action (also known as denouement) is so named because it consists of everything that ‘falls’ out from the climax.

    And just as the rising action leads to the climax,the falling action leads to the resolution, which is another way of saying how everything ends up.

       A well-structured plot will keep readers guessing what happens next until they hit the climax. It will also keep the reader’s attention until the story’s resolution. Ideally, the resolution is in line with everything that came before it, and the end doesn’t seem forced or unrealistic for the story.

    Activity 9

    Read a select play and write down its plot development. Clearly show the stages we have just discussed.

    Tableau

    Do you think you can demonstrate how a character feels without saying a word? For instance, how would Shylock feel when he does not get justice? We can recreate the court scene in William Shakespeare’s The Merchant of Venice, by posing without uttering a word. In this case, Shylock would be very sad while Antonio and his companions would be happy. Imagine if you took a picture of this scene. How would it look? We can freeze scenes in a play using a technique called tableau.

          Tableau is short for the French, tableau vivant, which means ‘living picture.’ A tableau is a representation of a dramatic scene by a person or group, posing silently without moving.

    Activity 10

    a. Imagine the court scene in The Merchant of Venice again. In your small groups, find space, take the different roles and pose to represent this scene. Remember, do not utter a word but use your bodies to represent the scene.

    b. Read the following excerpt and in pairs, create a tableaux for the scene.







    Unit 8: Different forms of dramaUnit 10: Periods of African drama